The Function of Song in Contemporary British Drama

This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.

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Author
Publisher University of Delaware Press
Release Date
ISBN 9780874133585
Pages 382 pages
Rating 4/5 (80 users)